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Free At Last

Esi Lewis in front of the still derelict Ann Oliver House in New Paltz, NY, the new New Paltz Black History Museum and Cultural Center. I promised to return to take an "after" shot and write another blog post once the restoration is complete.        photo © copyright Carol Bergman 2022

 

Free at Last; Disrupting Systemic Racism in One Small Town 

 

I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slave-owners will be able to sit down together at a table of brotherhood." 

- Martin Luther King, Jr., August 28. 1963

 

Get in good trouble, necessary trouble, and help redeem the soul of America. 

- John Lewis  Selma, Alabama, March 1, 2020

 

 

I walked past Esi Lewis's house on Huguenot Street in New Paltz yesterday, just a stone's throw from the loosely designated African American Burial Ground—no penetrating radar has ever been done—and close to the Elting family burial ground across the street. And though it was a bitterly cold morning, the thought of Esi living there with her family warmed me.

 

There is irony in Esi's modern home on Huguenot Street with its neighboring stone houses built in the 17th century  by the slave-owning French Huguenot families. An accomplished Black lawyer, born and raised in New Paltz, her mother was the Chair of the Black Studies Department at SUNY. When Esi returned to New Paltz after many lawyering years in the city, she decided to run for the Town Board where her father also served. One commitment led to another; she has now also been appointed the "steward" of the New Paltz Black History Museum and Cultural Center, which hopefully will be open in a year.

 

"It is well-documented that the Huguenots were slave owners," she wrote eloquently in her proposal for the project. "For the forced labor that toiled on this land we have mere signage. Most, if not all of the properties that were built and or owned by the first Blacks and hold the history of the African Americans in New Paltz have been turned over to white ownership.

 

The ONLY anti-racist action under these circumstances is to restore the Ann Oliver House at 5 Broadhead Avenue to Black ownership and create an African American Cultural Center on this historic property."  

 

Enslavement has been designated a crime against humanity by the Rome Statute of the International Criminal Court, and it is my preference to refer to it as such from now on.  Such crimes require reparations, or truth and reconciliation commissions; as Americans, shamefully, we are just at the very beginning of this process. The Center Esi envisions will be an act of reparative justice for New Paltz. In many ways, it already is. She is interviewing contractors, applied for not-for-profit status, and for grants. She held an—outdoor and masked—Kwanzaa celebration on the lawn on December 31, which was both festive and informative. The crowd was substantial and included the Chief of Police, his wife, the mayor, and other guests.

 

The Ann Oliver House was built in the First Free Black Neighborhood by Jacob Wynkoop, a free Black man. His mother Jane Wynkoop, born a slave and freed in 1827, purchased the property because the vote was only granted to landowners; she wanted her two sons to be able to vote. Jacob fought in the Civil War, and became a contractor and builder when he returned. He is buried in the Rural Cemetery here, a prominent citizen, his contribution to the Union Army and the  community unrecognized until recently.

 

The Village of New Paltz—the Town Historian, the Village Historic Preservation Commission, and the Town Board—worked hard to preserve the derelict Ann Oliver House. When the restoration is complete, it will become a companion to the  Jacob Wynkoop Anna Banks House at 6 Broadhead, under the care of Historic Huguenot Street, which is already a stop on one of their curated walking tours.

 

The relationship between the Black History Museum and Cultural Center and Historic Huguenot Street, an entity in and of itself, partially funded by the descendants of the Huguenot families who still live in town, will undoubtedly evolve in the months and years ahead. Some of the Huguenot descendants have been notably resistant to surfacing their troubled history. Yet, I am hopeful that a changed perspective and a new Director of Curatorial and Preservation Affairs at Historic Huguenot Street, Josephine Bloodgood, will ensure continuing improvements. In an email exchange with Ms. Bloodgood, she expressed abiding support—on  behalf of Historic Huguenot Street—of the new center.

 

There is no statute of limitations on murder and crimes against humanity. Indeed, it is past time to confront false narratives, obfuscations, and buried history, wherever we live.

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What We Talk About When We Talk About Slaves

A memorial @ The African Burial Ground on Huguenot Street in New Paltz, NY. 
Photo: © copyright by Carol Bergman 2019

 

 

"Genealogical trees do not flourish among slaves."

 

Frederick  Douglass, 1855

 

 

"Such is the story that comes down to me."

 

Madison Hemings, son of Sally Hemings and Thomas Jefferson, Pike County Ohio, 1873

 

 


I've been reading American Colonial History, interviewing people, and researching in historic archives non-stop since my arrival in New Paltz just over a year ago in preparation, I thought, for a long narrative nonfiction project about the legacy of slavery in one small Mid-Hudson Valley town. How is it coping with new revelations and interpretations? I arrived in the midst of a dormitory renaming controversy on the SUNY campus--an echo of the discourse we're having about monuments across the country--and published a guest column in the Poughkeepsie Journal in September, 2018. I was excited by the prospect of being a peripheral narrator in this story: both a participant/citizen and a reporter/observer. But I had heard that a prominent historian at the Historic Huguenot Street Archives had been released from her duties after conflict with the Board of Directors some years ago. This did not bode well. I was trying to provide a fresh perspective, ask interesting questions, but it didn't take long for me to become persona non grata, and to receive emails reminding me—a bona fide journalist—that I could not have press tickets to certain events. It was enough to question whether my project was viable.

 

For a while, I worked around resistance, and even drafted an article, but I stopped after I attended a meeting of the Historic Preservation Commission to advocate for the landmarking of the Jacob Wynkoop houses—more below. I was no longer an observer/reporter; I had become an activist.


When a profile of me appeared in the local paper about my new murder mystery, "Say Nothing," a two-page spread with a photo, and only those near and dear turned up at the reading at a local independent bookstore, despite a lot of publicity, I knew that the gate had closed, that I was done. What had happened? It would take an investigative reporter with the clout and resources of a major newspaper to get the full story, but I have my hypothesis: I'm an outsider, a newcomer. Who am I, therefore, to remind the settled population here, many descended from the original settlers—to "lecture" them, as one vicious FB post said—that the legacy of slavery is visible, extant and troubling; Dutch, English, and French Huguenots all owned slaves.


One day in the late spring of 2019, surfacing from the dusty archive at Historic Huguenot Street, a tour bus parked in the visitor's lot. I stopped to watch what looked like a high school group and their teacher saunter toward Bevier House. For some reason they began to roam around on their own, without the assistance of a docent. The teacher was talking as I approached, but I didn't hear what he said; he was peering into the cellar window. I had done the same in recent weeks and found it haunting. I imagined the slaves sleeping on pallets on the dirt floor, spinning wool, or cooking, and struggling up and down the steep stairs leading to the outside entrance to the house--more steps--as they carried food, or laundry to their "master," Abraham Bevier, and his family. The 1790 census confirms that Abraham Bevier owned seven slaves. Did they all live in the cellar? And even if there was an interior staircase as an empathetic and charming Huguenot descendant recently explained to me--by way of softening the slaves'travail, perhaps--would that have made any difference?


I went up to the teacher and asked if he knew what he was looking at. "A cellar," he said. "A slave dwelling," I corrected him, wishing there had been a plaque to explain the dwelling and its relationship to the house, but the teacher seemed less than interested and quickly moved away to gather his students around the well, an educational opportunity lost. I was, at least, pleased that I had mentioned something.


Juneteenth, 2019, a holiday commemorating Emancipation after the Civil War. I went on a tour--to which I did get a press pass because it pertained to my project, presumably--of the Jacob Wynkoop houses in New Paltz with Kara Augustine, Director of Public Programming at Historic Huguenot Street. The story of Jacob Wynkoop, a prominent African American citizen of New Paltz, a Union soldier, born free to a slave mother in 1829, one year after New York State emancipated its slaves, has been known since the 1980's. He died in 1912 and is buried in the New Paltz Rural Cemetery in Plot A-74/82. And though he was a member of the New Paltz (interracial) Grand Army of the Republic's fraternal organization, there are no streets named after him, nor did SUNY New Paltz, to my knowledge, consider naming one of their dorms after him. He was a builder, contractor, and carpenter. Several of his compact, well-made houses—with their signature attic windows—are still standing here; one was an investment property. Today we might call him an architect and real estate developer, two occupations revered in this burgeoning valley.


Where are his descendants? Possibly in Poughkeepsie, New York City and points beyond, I have learned. Why did they leave New Paltz? Was the town unwelcoming, or worse? Why haven't his houses been landmarked, or marked with a simple plaque? Why is this ostensibly progressive town so ethnically homogeneous? Apart from the SUNY New Paltz Campus, with its diversity outreach initiatives and faculty from all over the world, the 14,000 plus citizens are mostly white, with a smattering of Latinos.


In this era of transformation, as we reckon with our fraught past and complex political present, the failure of Reconstruction in the South and integration in the North, the redress of African American slave descendants (HR-40) is gaining traction again in Congress. The removal of monuments is one thing, the acknowledgement of contributions by the survivors of enslavement another. Both are important.


https://www.newpaltz.edu/media/diversity/Hasbrouck%20Renaming%20Report-Web.pdf\


http://images.burrellesluce.com/image/6322C/6322C_5605


The author wishes to thank: Carol Johnson, David & Susanna Lent, Jennifer Dubois Bruntil, Kara Augustine, Josephine Bloodgood, Albert Williams-Myers, Susan Stessin-Cohn, Eric Roth, Alan Kraus, and Michael Groth for their scholarship and insights.

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